Bohemica Olomucensia 2021, 13(3):116-133 | DOI: 10.5507/bo.2021.047
The study confronts the concept of the superfluous man, as it appeared in 19th century Russian literature, with the features used in French existentialism. Specifically, we will deal with the analysis of Antoine Roquentin, protagonist of Jean-Paul Sarter's Nausea (1938).
Published: September 1, 2021 Show citation
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