Bohemica Olomucensia 2021, 13(1):200-212 | DOI: 10.5507/bo.2021.010

Self-referentiality in narrative literary fiction: A strategy of autopoiesis or autodestruction?

Bohumil Fořt
Ústav jazykovědy a baltistiky, Filozofická fakulta Masarykovy univerzity v Brně, Jaselská 18, 602 00 Brno

Narrative literary fiction, during its long-lasting development, has established and employed various self-referential techniques and strategies and even our non-expert, reader experience reveals that self-referentiality can take on multiple forms and cause various effects. Some of its forms are conventionally connected with a certain genre, period or trend, others are grounded in a writer's unique idiolect, some are just random. The study offers a general overview of the basic types of self-referentiality, a) structural (essential) self-referentiality, b) direct (iconic) self-referentiality, c) indirect (indexical) self-referentiality, and connects these types with particular narrative techniques in concrete fictional narratives. Moreover, the taxonomy of the ways in which self-referentiality both enforce and also weaken narrativity, a general quality of narratives influencing their consistency and coherence in the process of the reader's conceptualization of the narratives, is introduced in the second half of the study together with examples illustrating the findings. Self-referentiality in fictional narratives can thus function as an important means of narrative auto-poiesis as well as its auto-destruction.

Keywords: narrative, autopoiesis, self-referentiality, narrativity, fictional world

Zveřejněno: 1. březen 2021  Zobrazit citaci

ACS AIP APA ASA Harvard Chicago Chicago Notes IEEE ISO690 MLA NLM Turabian Vancouver
Fořt, B. (2021). Self-referentiality in narrative literary fiction: A strategy of autopoiesis or autodestruction? Bohemica Olomucensia13(1), 200-212. doi: 10.5507/bo.2021.010
Stáhnout citaci

Reference

  1. ALIGHIERI, Dante (2018). The Divine Comedy; přel. H. W. Longfellow (Woodstock: Devoted Publishing)
  2. CALVINO, Italo (1993). If on a Winter's Night a Traveller; přel. W. Weaver (London: David Campbell)
  3. CERVANTES, Miguel de (1952). The History of Don Quixote of La Mancha; přel. J. Ormsby (Chicago - London - Toronto: William Benton)
  4. DOLEŽEL, Lubomír (1998). Heterocosmica: Fiction and Possible Worlds (Baltimore: Johns Hopkins University Press) Přejít k původnímu zdroji...
  5. ECO, Umberto (1985). The Name of the Rose; přel. W. Weaver (London: Secker & Warburg)
  6. GENETTE, Gerard (1983). Narrative Discourse. An Essay in Method; přel. J. E. Levin (Ithaca - New York: Cornell University Press)
  7. KUNDERA, Milan (1987). The Unbearable Lightness of Being; přel. M. H. Heim (New York: Harper & Row)
  8. NÖTH, Winfried (2007). "Narrative self-reference in a literary comic: M.-A. Mathieu's L'Origine"; Semiotica, č. 165, s. 173-190 Přejít k původnímu zdroji...
  9. STERNE, Laurence (1960). The Life and Opinions of Tristram Shandy, Gentleman (New York: Holt, Rinehart and Winston)
  10. WALPOLE, Horace (1982). The Castle of Otranto. A Gothic Story (Oxford - New York: Oxford University Press)

Tento článek je publikován v režimu tzv. otevřeného přístupu k vědeckým informacím (Open Access), který je distribuován pod licencí Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0), která umožňuje distribuci, reprodukci a změny, pokud je původní dílo řádně ocitováno. Není povolena distribuce, reprodukce nebo změna, která není v souladu s podmínkami této licence.