Bohemica Olomucensia 2012, 4(2):89-114 | DOI: 10.5507/bo.2012.020
The paper attempts the new reading of one well-known Neruda's work that belongs to the canon of Czech literature, even though its exegets do not hide their embarrassments if that book has got an undeniable value or not. The paper contributes to the latent discussion about the book and suggests the esthetical norms of the 19th century, when the Neruda's work was written, and reconstructs genesis of Hřbitovní kvítí.
Bohemica Olomucensia 2012, 4(2):115-138 | DOI: 10.5507/bo.2012.021
Short stories about Mašín brothers illustrate the way, how the socialistic state regime tried to get a hegemony and to persuade its citizens arguing that people who did not agree with the system were criminals and murderers.
Bohemica Olomucensia 2012, 4(2):139-150 | DOI: 10.5507/bo.2012.022
The author concentrates on the question of "being with work of art" with regards to thoughts in Petr Rezek's book Tělo, věc a skutečnost v umění šedesátých a sedmdesátých let, e. g. how to understand the art, what is the core of critic's point of view on work of art, what is the rule of spectator's or reader's enchantment with the work of art or what are the relations of contemporary art to the European art tradition.
Bohemica Olomucensia 2012, 4(2):151-160 | DOI: 10.5507/bo.2012.023
In the study the author seeks to shed light on the issue of how to view words formed by composition in the Old Church Slavonic literature. The author focuses on the semantic redundancy in compounds, in which the reach of influence of Greek on the phenomenon of composition in Old Church Slavonic was observed.
Bohemica Olomucensia 2012, 4(2):163-169
Bohemica Olomucensia 2012, 4(2):170-174
Bohemica Olomucensia 2012, 4(2):175-177
Bohemica Olomucensia 2012, 4(2):178-180
Bohemica Olomucensia 2012, 4(2):181-182
Bohemica Olomucensia 2012, 4(2):183-185
