Bohemica Olomucensia 2017, 9(1):5-6
Bohemica Olomucensia 2017, 9(1):10-36 | DOI: 10.5507/bo.2017.002
Josef Kajetán Tyl published a few fairy tales in Jindy a nyní and Květy magazines between 1833 and 1840. Literary history doesn't know them even they entered literary communication. Nevertheless, we state these fairy tales are of special relevance to literary history. They represent the first collection of Czech fairy-tales published in Czech. They also represent the first collection of texts we can determine as real fairy-tales. In the beginning of Czech national revival, literary tradition didn't differentiate between fairy-tales, idylls, legends etc.; Tyl's fairy-tales shows the way to the contemporary meaning of genre concept of "fairy-tale". After...
Bohemica Olomucensia 2017, 9(1):38-47 | DOI: 10.5507/bo.2017.003
The study deals with the work of the poet from Litovel, Gregor Tarco, who lived in the 16th century in the period of late renaissance humanism. The study focuses not only on his main work, the German poem "Beschreibung der Stadt Lüttau", but also on his small Latin poems, so called epithalamia. The article analyses the poems and asks questions about the reasons of author's bilingualism too.
Bohemica Olomucensia 2017, 9(1):48-54 | DOI: 10.5507/bo.2017.004
The alb, which is narrated or sung by a speaker in love, is based on the dyadic principle - the song has two parts, stanzas split into two sentences, the verse is divided into two regular hemistichs, the alb consists of twenty verses. The song has a twofold framing and its author chooses inventive rhymes.
Bohemica Olomucensia 2017, 9(1):56-71 | DOI: 10.5507/bo.2017.005
This study focuses on the phenomenon of generative literature. It gives a condensed chronological overview of generetive literature in Czechia, Slovakia and worldwide from 1950s till the present time. Focusing on most significant pieces of generative literature it shows evolutionary tendencies within this field and gives a brief reflection about autorship, originality and future of generative literature.
Bohemica Olomucensia 2017, 9(1):72-82 | DOI: 10.5507/bo.2017.006
After 1989, in czech literature there are more and more writers, which change the language of their books. But it is not a new phenomenon: also in old czech literature we can find many forms of multilingualism (Latin or German for example). The paper focuses on the issues of multilingualism in czech literature. It tries to classificate it, based on national affiliation of writers, their literary language and other criterions. There is also a possible definition of multilingualism, adapteted for czech literature. It follows presentation of the most important czech authors of books written in other language than czech after 1989 like Libuše Moníková...
Bohemica Olomucensia 2017, 9(1):84-99 | DOI: 10.5507/bo.2017.007
After 1969 in Czechoslovakia rock music was regarded as undesirable in general. Nevertheless, we have found many examples of social activism in lyrics by Czech hardrock groups and singers, which were consensual with the official political line. The paper is focused especially on songs written by Ladislav Vostárek for group Katapult and František Ringo Čech for singer Jiří Schelinger. Their lyrics were didactic primarily to young people; warning against alcoholism, speeding, crime; appeal to protection of environment etc. Social topics like these were popular between musicians both professional and amateur, because the communist regime accepted them...
Bohemica Olomucensia 2017, 9(1):100-122 | DOI: 10.5507/bo.2017.008
Boudník's manifests of explosionalism are one of the first samizdats in Czechoslovakia after 1948, and also a rare example where a new - purely Czech - artistic movement has been established. His art theory was partially based on his wartime experience and one of his intentions was the creation of a new kind of art that would be able to change society and prevent future wars. He furthermore wanted to qualify the masses for art, enabling everybody to create art from his past experiences and enrich the art world with these works. Boudník's art theory based on personal freedom and the phantasy of the viewer could however only have a limited impact and...
Bohemica Olomucensia 2017, 9(1):124-137 | DOI: 10.5507/bo.2017.009
This text attempts to describe and analyse motives connected with Czechoslovakia, especially touches Neruda's poem The Prague Interview, which is dedicated to Prague and Julius Fučík and through an analysis and comparison it shows how differently was an icon of the Czechoslovakian communism seen by Neruda and by the young communist poets in the Czechoslovakia. Also focuses on other Neruda's poems about Prague or Czechoslovakia that appear in his work.
Bohemica Olomucensia 2017, 9(1):141-146
Bohemica Olomucensia 2017, 9(1):147-152
Bohemica Olomucensia 2017, 9(1):153-156
Bohemica Olomucensia 2017, 9(1):157
Bohemica Olomucensia 2017, 9(1):158
Bohemica Olomucensia 2017, 9(1):159-162
