Bohemica Olomucensia 2018, 10(2):5-6
Bohemica Olomucensia 2018, 10(2):10-22 | DOI: 10.5507/bo.2018.019
This study explores a disposition of aesthetics and its relation with the work of art, mainly the literary one. The author raises the question whether an aesthetical function is the only one, which determines the quality of the artwork, or not. Taking an example of thinking of J. P. Sartre and others, the study shows how much this reductive perception limits an existential understanding of a range of art experience, an experience of contact with artwork. It becomes apparent that specific character of artwork is formed by the aesthetical part as well as by poetical part, which gives concrete shape to the artwork and emphasizes artistic intention itself....
Bohemica Olomucensia 2018, 10(2):24-42 | DOI: 10.5507/bo.2018.020
The paper is focused on selected linguistic issues, which touch the problems of basic colour terms. Specially we concentrate on two domain of research. First of the research position understand the basic colour terms as so called linguistic universalities. The main argument of this point of view was given by another research of basic colour terms, which compare them with human ability to perception different wavelength of light. Second research position argue with cognitive processes of perception and explain the basic semantic of colour terms as result of so called language conceptualization of natural world. The goal of this paper is present the...
Bohemica Olomucensia 2018, 10(2):44-60 | DOI: 10.5507/bo.2018.021
Růžena Jesenská is a figure who is almost non-existent in the Czech history of literature. Most often she is only mentioned in the anecdotes about Milena Jesenská to whom she was related. The fact that there are reliable analyses devoted to the works of this writer is even more surprising when we take a look at her numerous works, high writing skills and the themes she touched upon. Růžena Jesenská's works include all literary genre and are addressed to various audiences. This study focuses on the issue of the writer's lyric techniques. Examining the lyric works, spanning over more than 50 years, is a real challenge especially given the fact that regarding...
Bohemica Olomucensia 2018, 10(2):62-72 | DOI: 10.5507/bo.2018.022
The study shows some of the topics and ideas present in the early discussions of literary realism from the beginning to the present day. Although these ideas are articulated in different ways, in different contexts and with different purposes, it is possible to show nuclear leitmotifs which can be interconnected with modern theoretical inquiry and its concepts.
Bohemica Olomucensia 2018, 10(2):74-89 | DOI: 10.5507/bo.2018.023
Václav Kahuda's proses have been published continuously since 1992 when the author debuted with the short story called Příběh o baziliškovi. This study is dedicated to the first three Kahuda's proses, Příběh, Veselá bída, and Exhumace. The author's focus is on the possibilities of depiction of the world and one of the basic tendencies for these works: the principle of pleasure, its development and satisfaction. This figuration in Kahuda's works leads to the emergence of a world in which it is not possible to live with dignity, and whose boundaries must be overcome by various ways. In addition to the thematic analysis, which shows how deeply this principle...
Bohemica Olomucensia 2018, 10(2):90-97 | DOI: 10.5507/bo.2018.024
Podkoní a žák, a versed composition from the late 14th century includes three protagonists. At the beginning and at the end of the poem, there is a narrator, who is involved in the story (personal narrator). A stableman and a trainee, other protagonists, have an argument about the assets of their own status. The extent of their monologues is basically the same, each of which has a triadic ordering. The composition has a storyline meter. The predominant quality of this work, which is of a parody character, is the rhyme.
Bohemica Olomucensia 2018, 10(2):98-116 | DOI: 10.5507/bo.2018.025
The paper employs Aby Warburg's concept of Nachleben to analyse Božena Němcova's figure. It concentrates on her images created after 1989 which constitute a sign of breaking the cultural taboo. In Urban's action novel, she is demythologized in the intermezzi that are ostensibly unrelated to the actual plot. Novotný's figuratively and literally "undresses" the writer, whereas Lagronová demonstrates the woman's tragedy as a victim of other people's desires.
Bohemica Olomucensia 2018, 10(2):118-143 | DOI: 10.5507/bo.2018.026
This study is intended as an introductory study of interactive web-based Reading-book of digital literature, which will be online in the second half of 2019 on digilit.upol.cz. The study gives a comprehensive and condensed introduction into issues of digital literature. It deals with the creative and theoretical history of digital literature and proposes a commentated overview of basic attributes of digital literature itself. It focuses on how software and technology are essential for the works of digital literature and what kind of unique possibilities they open for formal and content qualities of pieces of digital literature. It discusses issues...
Bohemica Olomucensia 2018, 10(2):144-159 | DOI: 10.5507/bo.2018.027
The article is devoted to the characteristic of academic folklore as a folklore genre, supplemented by relevant examples of academic anecdotes and humorous life stories, humorous life stories concerning the personality of Professor Oldřich Králík, a literary scientist who worked in the years 1946-1975 at the Faculty of Philosophy of the Palacký University in Olomouc, Oldřich Králík as a masterpiece of Professor Ondřej Malík in the detective prose works of Václav Erben Denár v dívčí dlani (Denar in the Girl's Loof (1980) and Poslední pád Mistra Materny (The Last Fall of Actor Materna (1987), and mentioned detective novels and TV adaptation of Denár...
Bohemica Olomucensia 2018, 10(2):163-170
Bohemica Olomucensia 2018, 10(2):171-182
Bohemica Olomucensia 2018, 10(2):183-186
Bohemica Olomucensia 2018, 10(2):187-191
Bohemica Olomucensia 2018, 10(2):192-196
Bohemica Olomucensia 2018, 10(2):197
